Genuine sino guerra  Bantu

 

Bamun , Fumban - Camarões, 

Ano 1894
Tamanho 51 centímetros

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The bronze

Moderne Art
Exhibition and Decoration

Tel +5521981838334

email Laquintine@yahoo.fr

 protection

  Dimensions : 80x60cm
  Technique : Huile sur toile

  Tel +5521981838337
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Dans un élan affectueux, la mère de par sa force d’intériorité est un bouclier efficace pour l’enfant. Protection matrimoniale et spirituelle, la mère et l’enfant en Afrique jadis bénéficient  de la garde et de la protection du père au regard d’yeux méchants et jaloux de la société et surtout de la famille. Protection d’un enfant, d’un œuf, d’un génie ou d’un talent en devenir, espoir futur d’une famille et d’un continent.  

Festival tupuri

Dance tupuri, North Cameroon

contemp. pict

Artisan bantu

Artisan peul 

Photographie contemporaine

Titre : Le cola

Dimensions : 80x60cm

Technique : Huile sur toile

On se partage le cola pour renforcer les liens d’amitié. Entre amis, lors des dotes et mariages traditionnels. Dans un langage codé, il indique le sexe de la femme. 

Les deux étant au centre des raisons des préoccupations de l’homme ; renforçant les liens amicaux entre les hommes pour le cola, et les liens conjugaux pour le sexe de la femme qui se veut être au centre de toute motivation masculine. Un breuvage désaltérant, une voie vers d’autres cieux.

                                                                                      beyem bertin

Pintura abtsrata

Contemporary painting

Title: Toil

Dimensions: 80x60cm
Technique: Painting, Oil on canvas

Its the sweat of the brow that Africans manage to survive. Working the land, the practice of trade, women as nurturing the home and plays a major role at the center of these daily activities.
The man, in turn, is the physical and mystical protector of day or night. 

All under the protection of a a provider upper hand efforts are rewarded as a miracle of multiplying bread and fish.

                                                                                                                                  Beyem Bertin

Art and Culture : Title: Fang NgilDimensions: 80x60cmTechnique:Pain...

Art and Culture : Title: Fang NgilDimensions: 80x60cm
Technique:Pain...: Title: Fang Ngil Dimensions: 80x60cm Technique:Painting Oil on canvas In the Central African Fang culture, Ngil mask was worn by a secr...

Title: Fang Ngil

Dimensions: 80x60cm
Technique:Painting Oil on canvas

In the Central African Fang culture, Ngil mask was worn by a secret society in order to bring peace, harmony and serenity. Night outings accompanied by torchlight of these secret societies, shape witch hunt established justice, harmony and balance between the mind of the day and those of night, the good and the wicked ... etc. in the region.

                                                                                                                                 Beyem Bertin 

Art et Culture : Title: The maskDimensions: 80x60cmTechnique: pain...

Art et Culture : Title: The maskDimensions: 80x60cm
Technique: pain...: Title: The mask Dimensions: 80x60cm Technique: painting,  Oil on canvas The mask having a utilitarian function for black African, is an...

Title: The mask

Dimensions: 80x60cm
Technique: painting,  Oil on canvas

The mask having a utilitarian function for black African, is an emblem of the face of the ancestors, he hides for some African nations, the wearer's face during festive and mystical exits. Such speech is carried by a voice, view a look, the mask is a weapon like a spear. It is a point of contact with the spirit world. The human face is thus a mask to mind: the view outside our interior.

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Art et Culture : Title: The rhythm of homeDimensions: 80x60cmTechn...

Art et Culture : Title: The rhythm of homeDimensions: 80x60cm
Techn...: Title: The rhythm of home Dimensions: 80x60cm Technique: painting , Oil on canvas The rhythm and movement are inborn in the black Africa...

Title: The rhythm of home

Dimensions: 80x60cm
Technique: painting , Oil on canvas

The rhythm and movement are inborn in the black African. It is the center of the expressions of his joys and sorrows. Hand battered observers looks, the participation of all helps to revive the memory of ancestors. The cult on vocals and rhythm accompanies the spirit of the African in a dynamic body expression and often in a therapeutic trip to the beyond.

                                                                        Beyem Bertin

Ubuntu 

An anthropologist proposed a game to children of African tribe.

He put a basket full of fruit near a tree and told to the children that who came the  first won the basket.

When he asked them to run, they are all taken by the hand and ran together and sat together enjoying their treats.

When he asked them why they had not made the race, they answered: "UBUNTU, how can we be happy if everyone else is sad? "

"UBUNTU" in the Xhosa culture means: "I am because we are"

So understand through the gesture of the children that we must be united more oder to prosper in the love, joy and grace. And I invite everyone  to get  much tolerance towards our next

Mask Dan, Mano Liberia, Ivory coast

Mask Dan

Mano live in Northeastern Liberia adjacent to the Dan. The two groups are very closely related liguistically and culturally, with one exception.
The Mano maintain the Poro society as a principal feature of social organization, while the Dan do not have this society.
















The Two groups create similar arts objects, though used in somewhat different ways.
Dan carvers often produced works Mano patrons and vice versa. Thus is often difficult to distinguish with certainly which culture a particular work comes from without specific information on the carver or provenance.

Mask Mano

 The broad facial features, presence of ears and agular profile allows to attribute this work to the Mano. 

Art et Culture : Poupées de fécondité Ashanti, Akawa Ghana Les p...

Art et Culture :
Poupées de fécondité Ashanti, Akawa Ghana   Les p...: Poupées de fécondité Ashanti, Akawa  Ghana     Les poupées de fécondité soulignent la dépendance de l'enfant à sa mère. Elles différ...

Poupées de fécondité Ashanti, Akawa Ghana

   Les poupées de fécondité soulignent la dépendance de l'enfant à sa mère. Elles différent en Afrique d'une culture à une autre. Mais elles ont toutes un dénominateur commun car elles conservent les mêmes fonctions. 

  




  Ces figurines en bois étaient portées par les femmes enceintes, serrées dans leu pagne, afin d'assurer la venue des beaux enfants. Elles étaient également données aux jeunes filles, car la possession de la poupée leur garantissant une bonne fécondité.
 

The Mask of Gabon

Mask

Fang Punu
Gabon

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