MOSSI

Burkina Faso, west Africa
Neighboring people: Dogon, Bisa, Kurumba 

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The Mossi make both political art and spiritual art. Figures are used by the ruling class to validate political power, and masks are used by the conquered peoples to control the forces of nature. Each year at the annual celebrations of the royal ancestors, figures of the deceased kings are displayed. On many occasions each year, especially during the long dry season from October to May, masks appear to honor the spirits of nature that control the forces of the environment. The several mask styles reflect the diversity of the population before the 15th century invasion. Long tall masks in the north are made by the descendants of the conquered Dogon population, while red, white, and black animal masks in the southwest are made by descendants of the conquered Gurunsi people


The Mossi states were created about 1500 A.D., when bands of horsemen rode north from what is now northern Ghana into the basin of the Volta River and conquered several less powerful peoples, including Dogon, Lela, Nuna, and Kurumba. These were integrated into a new society call Mossi, with the invaders as chiefs and the conquered as commoners. The emperor of the Mossi is the Moro Naba, who lives in the ancient and contemporary capital, Ouagadougou. In the centuries between 1500 and 1900 the Mossi were a major political and military force in the bend of the Niger River and were effective in resisting the movements of Muslim Fulani armies across the Sudan area of west Africa. In 1897 the first French military explorers arrived in the area and staked French colonial claims. During the sixty years of French colonial rule the Mossi population was exploited as a source of human labor for French plantations in Côte d'Ivoire. In 1960 Burkina Faso gained its independence from the French. The first elected president Ouezzin Coulibaly was succeeded by Maurice Yameogo, a Mossi. In 1967 a coup-d'état put in place a military government that has ruled with infrequent change ever since.

The Mossi are unique in Burkina Faso for their centralized and hierarchical political system. The nakomse are the ruling class and are directed descendants of the first invaders from the south. At the apex of political hierarchy is the Moro Naba (emperor), whose palace is in Ouagadougou, the capital of Burkina Faso. Nabas (chiefs) rule over each of the regions of Mossi country and pay homage to the emperor. Each chief presides over a political hierarchy of local officials who are responsible for raising armies, levying taxes, etc. The nyonyose are the descendants of the conquered peoples who lived in the region before the Mossi arrived.

The descendants of the conquered nyonyose (farmers) honor nature spirits that provide them with supernatural power to control the weather, disease, crop failure, and general well-being. These are the "invented spirits" that become important as the congregation faces a particular affliction and which decrease in influence as the problem is solved. These spirits are often represented by masks and figures that make them visible and concrete. The spirits themselves provide, through the diviner, the religious laws that govern the community and so provide a system of sacred rule. The creator god Wennam is associated with the sun and with the nakomse (political hierarchy). The spiritual power of the nyonyosebased on nature spirits is in direct opposition to the secular power of thenakomse based on the horse and associated with the sun. Among the most important religious celebrations are annual sacrifices to honor the memories of the royal ancestors, when each and every male head of a household reaffirms his dependence on the benevolence of the chief and his ancestors for health and well-being of his family.


By Steve Foreman ismael
s. afrca uima

Becky Roesler

United states, America

Contact: becky@beckyroeslerart.com
Site Webhttp://www.beckyroeslerart.com/


Becky Roesler was born in Indiana and moved to Texas when she was just a few months old. She grew up near Houston with a love of nature and a crazy obsession with crayon color names. Becky always knew she was an artistShe won her first art awards in 1960’s interscholastic art competitions, and began studying art through the Houston Museum of Fine Art and local college libraries while in her teens. It was here that she found her all-time favorite painting, Bonaventure Pine, by Neo-Impressionist artist, Paul Signac, which still brings her to tears whenever she sees it. Becky became a professional floral designer and attended University of Houston until she moved to New Braunfels, Texas in the late 1970's. She earned a bachelor’s degree at Southwest Texas State University in 1982, then worked in corporate business management while creating art and operating an antiques business in her spare time. Becky became a full-time artist in 2000, and is now happily making richly layered and joyful paintings filled with ecstatic color and positive energy.
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                                     Resume

Education

Bachelor of Applied Arts and Sciences, With Honors, Texas State University, San Marcos, Texas, 1982.

Publications

Becky Hicks-Roesler: In Full ColorAnimal Attraction, by Deborah Secor, The Pastel Journal Magazine, Issue No. 56, June 2008.

Selected Exhibitions

2015     Chico Art Center Gallery, 9th Annual Contemporary Women Exhibition, Chico, California.
2015     Williams Tower Gallery, Visual Arts Alliance 32nd Juried Open Exhibition, Houston, Texas.
2009     Coppini Academy of Fine Arts, Texas Pastel Society Juried Exhibition, San Antonio, Texas.   
2008     New Braunfels Art Gallery, 43rd Annual Artoberfest Fine Art Show, New Braunfels, Texas.
2007     New Braunfels Art Gallery, 42nd Annual Artoberfest Fine Art Show, New Braunfels.Texas,First Place Award.
2007     New Braunfels Art Gallery, Texas Art Exhibition, New Braunfels, Texas, Honorable Mention Award.                            
2007     New Braunfels Art Gallery, Contemporary Art Exhibition, New Braunfels, Texas.
2007     Palette & Chisel Academy of Fine Arts, Pastels Chicago National Juried Exhibition, Chicago Pastel Painters Society, Chicago, Illinois, Southeastern Pastel Society Award.
2007     San Antonio Art League Museum, 77th Annual San Antonio Artists Exhibition, San Antonio, Texas.
2007     Chase Bank Building Corridor of Art, Austin Pastel Society 7th Annual Juried Membership Exhibition, Austin, Texas.
2007     The Von Liebig Art Center, International Association of Pastel Societies 10th Juried Exhibition, Naples, Florida.
2006     New Braunfels Art Gallery, 41st Annual Artoberfest Fine Art Show, New Braunfels, Texas.
2006     New Braunfels Art Gallery, Small Treasures Exhibition, New Braunfels, Texas.
2006     Expo New Mexico, Pastel Society of New Mexico 15th Annual National Pastel Painting Exhibition, Albuquerque, New Mexico, New Mexico Watercolor Society Award.
2006     Umpqua Valley Art Center, Pastel Society of Oregon 15th Biennial National Exhibition, Roseburg   Oregon, Pastel Society of America Award.
2006     Place St. Charles, Degas Pastel Society 11th Biennial National Exhibition, Kenner, Louisiana.
2006     Charles Sumner School Museum, Maryland Pastel Society Shades of Pastel National Open Exhibition, Washington, D.C.
2006     International Association of Pastel Societies 9th Juried Exhibition, www.pastelinternational.com,            First Place Award.
2006     Harbor Gallery, Northwest Pastel Society 20th International Open Exhibition, Gig Harbor,  Washington.
2006     Creative Arts Center, Pastel Painters Society of Cape Cod, 11th Annual National Exhibition For Pastels Only On Cape Cod, Chatham, Massachusetts.
2006     Long Beach Art Gallery, Works On Paper, Long Beach Arts National Exhibition, Long Beach,   California.
2006     San Antonio Art League Museum, 76th Annual San Antonio Artists Exhibition, San Antonio, Texas.
2006     Chase Bank Building Corridor of Art, Austin Pastel Society 7th Annual Juried Membership Exhibitition Austin, Texas, Second Place Still Life Award.
2006     Jewish Community Center, Alabama Pastel Society, Pastels 2006 You’ve Got The Magic Dust National Exhibition, Birmingham, Alabama.
2006     New Braunfels Art Gallery, 2005 Artists Of The Year Exhibition, New Braunfels, Texas.
2005     New Braunfels Art Gallery, December Artist of the Month, New Braunfels, Texas, exhibit of 24  paintings.
2005     Charles W. Eisemann Center, Pastel Society of the Southwest 24th Juried Membership Exhibition, Richardson, Texas.
2005     New Braunfels Art Gallery, 40th Annual ARTFest Fine Arts Show, New Braunfels, Texas, Best In Pastel Award.  
2005     Degas Pastel Society 14th Juried Membership Exhibition, Hammond, Louisiana.
2005     Chase Bank Building Corridor of Art, Austin Pastel Society 6th Annual Juried Membership Exhibition, Austin, Texas.

Gallery Affilations:

New Braunfels Art Gallery, New Braunfels, Texas, 2002 to 2009.
Verve Art Boutique, New Braunfels, Texas, 2005.
Robot Art Gallery, San Antonio, Texas, 2005.
Artrageous Art Gallery, New Braunfels, Texas, 2003 to 2004.

Today, Becky Roesler is an award-winning, professional artist who enjoys creating bold and vibrant abstract paintings in acrylic, pastel, and mixed media. Her colorful artwork is exhibited in many national art shows, select galleries, and in homes and businesses in almost every state in the U.S.A. Becky lives and works beside a river near New Braunfels, Texas with her husband, pets, giant trees, and some sneaky wildlife.



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By steve forman ismael
+Becky Roesler  +Galerie Meitner +Galeria Estação +Museum of Fine Arts, Boston +Galeries Lafayette +Erin Muller Barber